1 10 1 http://utw10658.utweb.utexas.edu/files/original/d171ca29b48553758a934f6ca9898357.tif 04594582cfe8bb8bb6fc02a149528e44 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/T2005.1.1-2_2-2.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource sculpture Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/T2005.1.1-2_2-2.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 17304 Identifier An unambiguous reference to the resource within a given context T2005.1.1/2-2/2 Creator An entity primarily responsible for making the resource Rachel Harrison Date A point or period of time associated with an event in the lifecycle of the resource New York, New York, 1966 - Date Created Date of creation of the resource. 2004 Rights Holder A person or organization owning or managing rights over the resource. Partial and pledged gift of Jeanne and Michael Klein, 2005 Spatial Coverage Spatial characteristics of the resource. 203.2 cm x 208.3 cm x 101.6 cm (80 in. x 82 in. x 40 in.) Medium The material or physical carrier of the resource. Wood, Styrofoam, white Portland cement, Parex adhesive, acrylic paint, and plastic statue on plywood base Title A name given to the resource Buddha with Wall Description An account of the resource <span>Known for her startling, often humorous combinations of found objects, Rachel Harrison questions notions of value and meaning in her sculptures. In <span style="font-style:italic;">Buddha with Wall</span>, the viewer encounters a rough, concrete-covered wall incised with goldpainted lines that form an overall abstract composition. The wall sits on the floor without explanation, blurring distinctions between architecture, sculpture, and painting, and teasingly obscures something from sight. Behind it, a large, grinning plastic Buddha wearing a white and gold robe unexpectedly greets the viewer. The Buddha, salvaged from a defunct storefront church by the artist, contradictorily represents both a mass-produced kitsch object and a hand-painted religious sculpture. Composed of two seemingly disparate elements, the work employs figuration and abstraction to explore themes of religion and commodification, as well as modes of production and display. For Harrison, her work is about “putting subjects together, not objects together.”</span> T2005.1.1/2-2/2