1 10 1 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/_Loans/PL2016.4.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/_Loans/PL2016.4.jpg Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 21047 Identifier An unambiguous reference to the resource within a given context PL2016.4 Creator An entity primarily responsible for making the resource Gego Date A point or period of time associated with an event in the lifecycle of the resource Hamburg, Germany, 1912 - 1994, Caracas, Venezuela Date Created Date of creation of the resource. 1973 Rights Holder A person or organization owning or managing rights over the resource. Loan from the Jeanne and Michael Klein Collection Spatial Coverage Spatial characteristics of the resource. 90 3/5 inches tall Medium The material or physical carrier of the resource. Stainless steel and bronze wires Title A name given to the resource Líneas separadas [Separated Lines] Description An account of the resource <span>Gego trained as an architect and engineer in her native Germany before immigrating to Venezuela in 1939. She began producing sculptures in the late 1950s, in the context of the well-known Kinetic and Op art movements then developing in Caracas. Gego’s delicate sculptures approach motion obliquely, playing with line, weight, and volume to generate space. In loosely-joined constructions such as <span style="font-style:italic;">Líneas separadas</span>, she gives wire the spontaneity and subtlety of line. Gesturing dimensionally and wavering in space, the wires allow the shadows they cast to bear on the sculptural form.</span> PL2016.4