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http://utw10658.utweb.utexas.edu/files/original/14ad7711b6f584f8a47d41e3b396f93a.jpg
9b626e46f119389d98e845f29807c161
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.9.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.9.jpg
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
20418
Identifier
An unambiguous reference to the resource within a given context
PG2014.9
Creator
An entity primarily responsible for making the resource
Carmelo Arden Quin
Date
A point or period of time associated with an event in the lifecycle of the resource
Rivera, Uruguay, 1913 - 2010, Savigny-sur-Orge, France
Date Created
Date of creation of the resource.
1956
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Judy S. and Charles W. Tate, 2016
Spatial Coverage
Spatial characteristics of the resource.
54.3 cm x 36.2 cm x 2.9 cm (21 3/8 in. x 14 1/4 in. x 1 1/8 in.)
Medium
The material or physical carrier of the resource.
Enamel on wood
Title
A name given to the resource
Jaune-Bleu [Yellow-Blue]
Description
An account of the resource
<span>Carmelo Arden Quin co-founded with Gyula Kosice the Madà group in Buenos Aires in 1946. In <span style="font-style:italic;">Jaune-Bleu</span>, the artist explores essential aspects of MadÃ: the polygonal frame echoes the forms depicted, balancing an economy of means with a playful approach to geometry. The motif of lines and points on a white surface recurs in many wood panels produced by Arden Quin in the early 1950s.</span>
PG2014.9