1 10 1 http://utw10658.utweb.utexas.edu/files/original/14ad7711b6f584f8a47d41e3b396f93a.jpg 9b626e46f119389d98e845f29807c161 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.9.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.9.jpg Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 20418 Identifier An unambiguous reference to the resource within a given context PG2014.9 Creator An entity primarily responsible for making the resource Carmelo Arden Quin Date A point or period of time associated with an event in the lifecycle of the resource Rivera, Uruguay, 1913 - 2010, Savigny-sur-Orge, France Date Created Date of creation of the resource. 1956 Rights Holder A person or organization owning or managing rights over the resource. Gift of Judy S. and Charles W. Tate, 2016 Spatial Coverage Spatial characteristics of the resource. 54.3 cm x 36.2 cm x 2.9 cm (21 3/8 in. x 14 1/4 in. x 1 1/8 in.) Medium The material or physical carrier of the resource. Enamel on wood Title A name given to the resource Jaune-Bleu [Yellow-Blue] Description An account of the resource <span>Carmelo Arden Quin co-founded with Gyula Kosice the Madí group in Buenos Aires in 1946. In <span style="font-style:italic;">Jaune-Bleu</span>, the artist explores essential aspects of Madí: the polygonal frame echoes the forms depicted, balancing an economy of means with a playful approach to geometry. The motif of lines and points on a white surface recurs in many wood panels produced by Arden Quin in the early 1950s.</span> PG2014.9