1 10 1 http://utw10658.utweb.utexas.edu/files/original/f369a75e76f9cc5524f7f263310fa232.jpg 3a0c672593841a80cfc16843e2e54afd Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.70.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.70.jpg Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 20479 Identifier An unambiguous reference to the resource within a given context PG2014.70 Creator An entity primarily responsible for making the resource Antonio Llorens Date A point or period of time associated with an event in the lifecycle of the resource Montevideo, Uruguay, 1920 - 1995, Montevideo, Uruguay Date Created Date of creation of the resource. 1954 Rights Holder A person or organization owning or managing rights over the resource. Gift of Judy S. and Charles W. Tate, 2016 Spatial Coverage Spatial characteristics of the resource. 53.3 cm x 73 cm (21 in. x 28 3/4 in.) Medium The material or physical carrier of the resource. Enamel on wood Title A name given to the resource Sin título [Untitled] Description An account of the resource Trained as an artist and designer in Uruguay, his adopted country, Antonio Llorens embraced abstraction early in his career. In Montevideo, he participated in the local Madí group, and later joined others dedicated to abstraction, such as Arte No-Figurativo [No-Figurative Art] and Grupo 8 [Group 8]. This untitled painting shows Llorens’s predilection for hard-edge geometry, bright solid colors, and bold compositional structures shaped by his interest in graphic design. PG2014.70