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http://utw10658.utweb.utexas.edu/files/original/f369a75e76f9cc5524f7f263310fa232.jpg
3a0c672593841a80cfc16843e2e54afd
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.70.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.70.jpg
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
20479
Identifier
An unambiguous reference to the resource within a given context
PG2014.70
Creator
An entity primarily responsible for making the resource
Antonio Llorens
Date
A point or period of time associated with an event in the lifecycle of the resource
Montevideo, Uruguay, 1920 - 1995, Montevideo, Uruguay
Date Created
Date of creation of the resource.
1954
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Judy S. and Charles W. Tate, 2016
Spatial Coverage
Spatial characteristics of the resource.
53.3 cm x 73 cm (21 in. x 28 3/4 in.)
Medium
The material or physical carrier of the resource.
Enamel on wood
Title
A name given to the resource
Sin título [Untitled]
Description
An account of the resource
Trained as an artist and designer in Uruguay, his adopted country, Antonio Llorens embraced abstraction early in his career. In Montevideo, he participated in the local Madí group, and later joined others dedicated to abstraction, such as Arte No-Figurativo [No-Figurative Art] and Grupo 8 [Group 8]. This untitled painting shows Llorens’s predilection for hard-edge geometry, bright solid colors, and bold compositional structures shaped by his interest in graphic design.
PG2014.70