1
10
1
-
http://utw10658.utweb.utexas.edu/files/original/6248d39b79f89a4d86152ccee3146f85.jpg
6b87dad7907a974e0aa89fbc65d497e6
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.60.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.60.jpg
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
20469
Identifier
An unambiguous reference to the resource within a given context
PG2014.60
Creator
An entity primarily responsible for making the resource
Alfredo Hlito
Date
A point or period of time associated with an event in the lifecycle of the resource
Buenos Aires, 1923 - 1993, Buenos Aires
Date Created
Date of creation of the resource.
1949
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Judy S. and Charles W. Tate, 2016
Spatial Coverage
Spatial characteristics of the resource.
80 cm x 60 cm (31 1/2 in. x 23 5/8 in.)
Medium
The material or physical carrier of the resource.
Oil on canvas
Title
A name given to the resource
Formas en el plano [Forms on the Plane]
Description
An account of the resource
A cofounder of the Association of Concrete Art and Invention, Alfredo Hlito synthesized his interests in abstraction and Marxism. Many leftist artists favored social realism. Hlito, however, believed figurative art was deceptive and illusionism interfered with the perception of reality. He advocated instead an art made of concrete plastic elements such as color, line, and form. In this painting, Hlito generates a sense of visual harmony through simple curves in complementary red and green. While members of the Association valued precision, his approach to geometry is intuitive and never exact.
PG2014.60