1 10 1 http://utw10658.utweb.utexas.edu/files/original/6248d39b79f89a4d86152ccee3146f85.jpg 6b87dad7907a974e0aa89fbc65d497e6 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.60.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.60.jpg Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 20469 Identifier An unambiguous reference to the resource within a given context PG2014.60 Creator An entity primarily responsible for making the resource Alfredo Hlito Date A point or period of time associated with an event in the lifecycle of the resource Buenos Aires, 1923 - 1993, Buenos Aires Date Created Date of creation of the resource. 1949 Rights Holder A person or organization owning or managing rights over the resource. Gift of Judy S. and Charles W. Tate, 2016 Spatial Coverage Spatial characteristics of the resource. 80 cm x 60 cm (31 1/2 in. x 23 5/8 in.) Medium The material or physical carrier of the resource. Oil on canvas Title A name given to the resource Formas en el plano [Forms on the Plane] Description An account of the resource A cofounder of the Association of Concrete Art and Invention, Alfredo Hlito synthesized his interests in abstraction and Marxism. Many leftist artists favored social realism. Hlito, however, believed figurative art was deceptive and illusionism interfered with the perception of reality. He advocated instead an art made of concrete plastic elements such as color, line, and form. In this painting, Hlito generates a sense of visual harmony through simple curves in complementary red and green. While members of the Association valued precision, his approach to geometry is intuitive and never exact. PG2014.60