1 10 1 http://utw10658.utweb.utexas.edu/files/original/7ea7c4883a8a7d3c418d41caf06a13cc.jpg 0cfa7bbd0b87759dc172d81324e03478 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.35.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.35.jpg Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 20444 Identifier An unambiguous reference to the resource within a given context PG2014.35 Creator An entity primarily responsible for making the resource Juan Del Prete Date A point or period of time associated with an event in the lifecycle of the resource Vasto, Italy, 1897 - 1987, Buenos Aires, Argentina Date Created Date of creation of the resource. 1937 Rights Holder A person or organization owning or managing rights over the resource. Gift of Judy S. and Charles W. Tate, 2016 Spatial Coverage Spatial characteristics of the resource. 31.8 cm x 19.8 cm (12 1/2 in. x 7 13/16 in.) Medium The material or physical carrier of the resource. Oil Title A name given to the resource ComposiciĆ³n [Composition] Description An account of the resource <span>Composed of flat, geometric planes of color that overlap and intersect, this painting by Juan Del Prete predicts the hard-edge brand of geometric abstraction that would come to dominate Argentine art in the 1940s. Though Del Prete was a pioneer of geometric abstraction in Latin America, his brushwork often betrayed a more expressive sensibility. The painterly texture of <span style="font-style:italic;">ComposiciĆ³n</span>, with its uneven line, warm palette, and gentle gradations in tone, lends the composition an unusual intimacy.</span> PG2014.35