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http://utw10658.utweb.utexas.edu/files/original/7ea7c4883a8a7d3c418d41caf06a13cc.jpg
0cfa7bbd0b87759dc172d81324e03478
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.35.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.35.jpg
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
20444
Identifier
An unambiguous reference to the resource within a given context
PG2014.35
Creator
An entity primarily responsible for making the resource
Juan Del Prete
Date
A point or period of time associated with an event in the lifecycle of the resource
Vasto, Italy, 1897 - 1987, Buenos Aires, Argentina
Date Created
Date of creation of the resource.
1937
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Judy S. and Charles W. Tate, 2016
Spatial Coverage
Spatial characteristics of the resource.
31.8 cm x 19.8 cm (12 1/2 in. x 7 13/16 in.)
Medium
The material or physical carrier of the resource.
Oil
Title
A name given to the resource
ComposiciĆ³n [Composition]
Description
An account of the resource
<span>Composed of flat, geometric planes of color that overlap and intersect, this painting by Juan Del Prete predicts the hard-edge brand of geometric abstraction that would come to dominate Argentine art in the 1940s. Though Del Prete was a pioneer of geometric abstraction in Latin America, his brushwork often betrayed a more expressive sensibility. The painterly texture of <span style="font-style:italic;">ComposiciĆ³n</span>, with its uneven line, warm palette, and gentle gradations in tone, lends the composition an unusual intimacy.</span>
PG2014.35