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http://utw10658.utweb.utexas.edu/files/original/79c198d4ab6e4982a14b9b31e1aa23f9.jpg
3fff18c5e2697d2b4a14ba3ccc366f57
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.34.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.34.jpg
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
20443
Identifier
An unambiguous reference to the resource within a given context
PG2014.34
Creator
An entity primarily responsible for making the resource
Ernesto Deira
Date
A point or period of time associated with an event in the lifecycle of the resource
Buenos Aires, 1928 - 1986, Paris
Date Created
Date of creation of the resource.
1963
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Judy S. and Charles W. Tate, 2016
Spatial Coverage
Spatial characteristics of the resource.
129.7 cm x 195 cm (51 1/16 in. x 76 3/4 in.)
Medium
The material or physical carrier of the resource.
Enamel on canvas
Title
A name given to the resource
La edad de la razón [The Age of Reason]
Description
An account of the resource
<span>During the 1960s, Ernesto Deira often titled his works after his literary, philosophical, and political concerns. This painting shares its title with the first volume of Jean-Paul Sartre’s trilogy <span style="font-style:italic;">The Roads to Freedom</span>, a masterpiece of existentialist writing. The influence of Sartre’s Marxist-inspired existentialism in Argentina was profound. Here Deira meditates on human existence through visual means. His figures are built through layered splashes, thick brushstrokes, and dripping colors that do little to solidify their substance. These presences remain open, conflicted and undefined, as they oscillate between the spectral and the grotesque.</span>
PG2014.34