1 10 1 http://utw10658.utweb.utexas.edu/files/original/79c198d4ab6e4982a14b9b31e1aa23f9.jpg 3fff18c5e2697d2b4a14ba3ccc366f57 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.34.jpg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.34.jpg Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 20443 Identifier An unambiguous reference to the resource within a given context PG2014.34 Creator An entity primarily responsible for making the resource Ernesto Deira Date A point or period of time associated with an event in the lifecycle of the resource Buenos Aires, 1928 - 1986, Paris Date Created Date of creation of the resource. 1963 Rights Holder A person or organization owning or managing rights over the resource. Gift of Judy S. and Charles W. Tate, 2016 Spatial Coverage Spatial characteristics of the resource. 129.7 cm x 195 cm (51 1/16 in. x 76 3/4 in.) Medium The material or physical carrier of the resource. Enamel on canvas Title A name given to the resource La edad de la razón [The Age of Reason] Description An account of the resource <span>During the 1960s, Ernesto Deira often titled his works after his literary, philosophical, and political concerns. This painting shares its title with the first volume of Jean-Paul Sartre’s trilogy <span style="font-style:italic;">The Roads to Freedom</span>, a masterpiece of existentialist writing. The influence of Sartre’s Marxist-inspired existentialism in Argentina was profound. Here Deira meditates on human existence through visual means. His figures are built through layered splashes, thick brushstrokes, and dripping colors that do little to solidify their substance. These presences remain open, conflicted and undefined, as they oscillate between the spectral and the grotesque.</span> PG2014.34