http://utw10658.utweb.utexas.edu/items/browse?tags=PG2014.27&output=atom <![CDATA[Blanton Museum of Art Collections]]> 2024-03-28T09:30:30-05:00 Omeka http://utw10658.utweb.utexas.edu/items/show/2934 <![CDATA[Pluriobjeto [Pluriobject]]]> Willys de Castro combined his experience as a concrete artist and designer to create artworks that invite a more active participation of the viewer. Pluriobjeto exists in an in-between space: Its minimal, interlocking shapes made with industrial materials lay flat against the wall. Only after viewers engage in closer examination of the work do they see how the object reaches into the space of the gallery. This hybrid of painting and sculpture challenges the separation between virtual and real space.]]> 2017-04-27T17:34:50-05:00

Dublin Core

Creator

Willys de Castro

Title

Pluriobjeto [Pluriobject]

Date Created

1977–83

Spatial Coverage

1994 cm x 5.1 cm x 14.6 cm (785 1/16 in. x 2 in. x 5 3/4 in.)

Identifier

PG2014.27

Medium

Chromed iron, oxidized iron and anodized matte aluminum

Description

Willys de Castro combined his experience as a concrete artist and designer to create artworks that invite a more active participation of the viewer. Pluriobjeto exists in an in-between space: Its minimal, interlocking shapes made with industrial materials lay flat against the wall. Only after viewers engage in closer examination of the work do they see how the object reaches into the space of the gallery. This hybrid of painting and sculpture challenges the separation between virtual and real space.

Rights Holder

Gift of Judy S. and Charles W. Tate, 2016

Date

Uberlândia, Brazil, 1926 - 1988, São Paulo, Brazil

Type

sculpture

Has Version

http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/PG2014.27-rightside.zif

Requires

20436
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