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  • Tags: PG2014.26

http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/PG2014.26-frame.tif
The emergence of the Concrete art movements in Brazil in the early 1950s encouraged artists like Willys de Castro, a graphic and theater designer active in São Paulo, to experiment with geometric abstraction. Here Castro avoids the mathematical…

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