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http://utw10658.utweb.utexas.edu/files/original/6edbcfb96bf23f234111405d4dc0b1b9.jpg
18ba39cb17990f33d99f98ee8144df1e
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.13.jpg
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
drawing
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/_2-22 Tate Images/By Acc #/PG2014.13.jpg
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
20422
Identifier
An unambiguous reference to the resource within a given context
PG2014.13
Creator
An entity primarily responsible for making the resource
Hércules Barsotti
Date
A point or period of time associated with an event in the lifecycle of the resource
São Paulo, Brazil, 1914 - 2010, São Paulo, Brazil
Date Created
Date of creation of the resource.
1959
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Judy S. and Charles W. Tate, 2016
Spatial Coverage
Spatial characteristics of the resource.
35.6 cm x 29.8 cm (14 in. x 11 3/4 in.)
Medium
The material or physical carrier of the resource.
Ink on paper
Title
A name given to the resource
Sem título [Untitled]
Description
An account of the resource
Hércules Barsotti was a graphic designer and artist inspired by the work of Concrete and Neo-Concrete art in Brazil. He adopted the limited palette and spare geometric forms of Concrete art, but avoided its mathematical rigor. He favored instead the more sensorial approach to geometry that characterized the Neo-Concrete movement emerging in Rio de Janeiro. In these drawings, Barsotti organizes planes and lines to evoke a sense of visual tension and fragmentation, suggesting a three-dimensional space that recedes away from the surface, grounding his geometry in the physical world.
PG2014.13