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http://utw10658.utweb.utexas.edu/files/original/d18d701827d3ab43f40bd379ff950225.tif
278449c99bc87ddb6a79bc7a894c2e8f
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1975.18.11-15.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
photograph
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1975.18.11-15.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
809
Identifier
An unambiguous reference to the resource within a given context
P1975.18.11/15
Creator
An entity primarily responsible for making the resource
Manuel Álvarez Bravo
Date
A point or period of time associated with an event in the lifecycle of the resource
Mexico City, 1902 - 2002, Mexico City
Date Created
Date of creation of the resource.
1934
Rights Holder
A person or organization owning or managing rights over the resource.
Archer M. Huntington Museum Fund, 1975
Spatial Coverage
Spatial characteristics of the resource.
18.4 cm x 24.4 cm (7 1/4 in. x 9 5/8 in.)
Medium
The material or physical carrier of the resource.
Gelatin silver print
Title
A name given to the resource
Los agachados [The Crouched Ones], from Fifteen Photographs by Manuel Álvarez Bravo, 1974
Description
An account of the resource
<span>Manuel Álvarez Bravo captured images of everyday life in Mexico City with a keen eye for the ironic and the uncanny. <span style="font-style:italic;">Los agachados</span> (1934), showing a group of workers eating at a Mexico City diner, suggests a similar unveiling of a hidden reality. Facing away from the viewer, the laborers are solidly anchored to their seats as the low metal curtain shields them from the midday sun. His carefully composed images reveal his modern sense of aesthetics. Regardless of circumstances, Álvarez Bravo presents his subjects with a sense quiet dignity.</span>
P1975.18.11/15