1 10 1 http://utw10658.utweb.utexas.edu/files/original/d18d701827d3ab43f40bd379ff950225.tif 278449c99bc87ddb6a79bc7a894c2e8f Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1975.18.11-15.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource photograph Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1975.18.11-15.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 809 Identifier An unambiguous reference to the resource within a given context P1975.18.11/15 Creator An entity primarily responsible for making the resource Manuel Álvarez Bravo Date A point or period of time associated with an event in the lifecycle of the resource Mexico City, 1902 - 2002, Mexico City Date Created Date of creation of the resource. 1934 Rights Holder A person or organization owning or managing rights over the resource. Archer M. Huntington Museum Fund, 1975 Spatial Coverage Spatial characteristics of the resource. 18.4 cm x 24.4 cm (7 1/4 in. x 9 5/8 in.) Medium The material or physical carrier of the resource. Gelatin silver print Title A name given to the resource Los agachados [The Crouched Ones], from Fifteen Photographs by Manuel Álvarez Bravo, 1974 Description An account of the resource <span>Manuel Álvarez Bravo captured images of everyday life in Mexico City with a keen eye for the ironic and the uncanny. <span style="font-style:italic;">Los agachados</span> (1934), showing a group of workers eating at a Mexico City diner, suggests a similar unveiling of a hidden reality. Facing away from the viewer, the laborers are solidly anchored to their seats as the low metal curtain shields them from the midday sun. His carefully composed images reveal his modern sense of aesthetics. Regardless of circumstances, Álvarez Bravo presents his subjects with a sense quiet dignity.</span> P1975.18.11/15