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http://utw10658.utweb.utexas.edu/files/original/7b390c72f22152be3e76d81256ef5d90.tif
170539807977d40bd6d04478afd7ea21
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1973.11.3.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1973.11.3.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
13908
Identifier
An unambiguous reference to the resource within a given context
P1973.11.3
Creator
An entity primarily responsible for making the resource
Luis Felipe Noé
Date
A point or period of time associated with an event in the lifecycle of the resource
Buenos Aires, 1933 -
Date Created
Date of creation of the resource.
1963
Rights Holder
A person or organization owning or managing rights over the resource.
Archer M. Huntington Museum Fund, 1973
Spatial Coverage
Spatial characteristics of the resource.
199.6 cm x 249.7 cm (78 9/16 in. x 98 5/16 in.)
Medium
The material or physical carrier of the resource.
Oil and collage on canvas
Title
A name given to the resource
Cerrado por brujería [Closed for Witchcraft]
Description
An account of the resource
The notion of chaos as the primary state of the universe has been an ongoing concern in Luis Felipe Noé’s art. In 1962, Noé understood chaos as a tension between opposite forces. In a bold, expressionistic style he presents a Catholic prelate in a dominant position above talking heads trapped in a black grid. As the nation’s official religion, Catholicism played a complex role in shaping Argentine society. A controversial 1963 law assigned the Church the function of rating plays and films for the Argentine public. The red cross here is an ambiguous symbol, offering comfort to the alienated while enforcing through censorship officially sanctioned Western and Christian values.
P1973.11.3