1 10 1 http://utw10658.utweb.utexas.edu/files/original/7b390c72f22152be3e76d81256ef5d90.tif 170539807977d40bd6d04478afd7ea21 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1973.11.3.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1973.11.3.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 13908 Identifier An unambiguous reference to the resource within a given context P1973.11.3 Creator An entity primarily responsible for making the resource Luis Felipe Noé Date A point or period of time associated with an event in the lifecycle of the resource Buenos Aires, 1933 - Date Created Date of creation of the resource. 1963 Rights Holder A person or organization owning or managing rights over the resource. Archer M. Huntington Museum Fund, 1973 Spatial Coverage Spatial characteristics of the resource. 199.6 cm x 249.7 cm (78 9/16 in. x 98 5/16 in.) Medium The material or physical carrier of the resource. Oil and collage on canvas Title A name given to the resource Cerrado por brujería [Closed for Witchcraft] Description An account of the resource The notion of chaos as the primary state of the universe has been an ongoing concern in Luis Felipe Noé’s art. In 1962, Noé understood chaos as a tension between opposite forces. In a bold, expressionistic style he presents a Catholic prelate in a dominant position above talking heads trapped in a black grid. As the nation’s official religion, Catholicism played a complex role in shaping Argentine society. A controversial 1963 law assigned the Church the function of rating plays and films for the Argentine public. The red cross here is an ambiguous symbol, offering comfort to the alienated while enforcing through censorship officially sanctioned Western and Christian values. P1973.11.3