1 10 1 http://utw10658.utweb.utexas.edu/files/original/162e3dd033e5f35fafa37e775aa668ea.tif e18d9ba8ddc6ec042faca86e4f886a02 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1969.12.1.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1969.12.1.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 13964 Identifier An unambiguous reference to the resource within a given context P1969.12.1 Creator An entity primarily responsible for making the resource Manierre Dawson Date A point or period of time associated with an event in the lifecycle of the resource Chicago, 1887 - 1969, Ludington, Michigan Date Created Date of creation of the resource. circa 1912 Rights Holder A person or organization owning or managing rights over the resource. Michener Acquisitions Fund, 1969 Spatial Coverage Spatial characteristics of the resource. 92 cm x 71.4 cm (36 1/4 in. x 28 1/8 in.) Medium The material or physical carrier of the resource. Oil on canvas Title A name given to the resource Woman in Brown Description An account of the resource In Woman In Brown, Manierre Dawson responds—and pays homage—to European modernism in his version of Picasso's legendary portrait, Gertrude Stein, of 1906. The monochromatic brown palette and fragmentation of the subject alludes to experiments of the Paris Cubists as much as it does Cézanne's late work. Yet, Dawson's painting exhibits an independent American approach to problems of subject, contour and volume in pictorial construction. P1969.12.1