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http://utw10658.utweb.utexas.edu/files/original/162e3dd033e5f35fafa37e775aa668ea.tif
e18d9ba8ddc6ec042faca86e4f886a02
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1969.12.1.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/P1969.12.1.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
13964
Identifier
An unambiguous reference to the resource within a given context
P1969.12.1
Creator
An entity primarily responsible for making the resource
Manierre Dawson
Date
A point or period of time associated with an event in the lifecycle of the resource
Chicago, 1887 - 1969, Ludington, Michigan
Date Created
Date of creation of the resource.
circa 1912
Rights Holder
A person or organization owning or managing rights over the resource.
Michener Acquisitions Fund, 1969
Spatial Coverage
Spatial characteristics of the resource.
92 cm x 71.4 cm (36 1/4 in. x 28 1/8 in.)
Medium
The material or physical carrier of the resource.
Oil on canvas
Title
A name given to the resource
Woman in Brown
Description
An account of the resource
In Woman In Brown, Manierre Dawson responds—and pays homage—to European modernism in his version of Picasso's legendary portrait, Gertrude Stein, of 1906. The monochromatic brown palette and fragmentation of the subject alludes to experiments of the Paris Cubists as much as it does Cézanne's late work. Yet, Dawson's painting exhibits an independent American approach to problems of subject, contour and volume in pictorial construction.
P1969.12.1