1 10 1 http://utw10658.utweb.utexas.edu/files/original/6198114216ad5c12d2d0f8eb9a659589.tif 45d10bb6ca6a424a36e469d4022dfd9d Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/533.1999.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/533.1999.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 16323 Identifier An unambiguous reference to the resource within a given context 533.1999 Creator An entity primarily responsible for making the resource Bernardo Strozzi Date A point or period of time associated with an event in the lifecycle of the resource Genoa, Italy, 1581 - 1644, Venice, Italy Date Created Date of creation of the resource. circa 1625 Rights Holder A person or organization owning or managing rights over the resource. The Suida-Manning Collection Spatial Coverage Spatial characteristics of the resource. 47.4 cm x 41.9 cm (18 11/16 in. x 16 1/2 in.) Medium The material or physical carrier of the resource. Oil on canvas Title A name given to the resource Portrait of a Bishop Description An account of the resource <span>Known for his portraits, genre scenes, and religious works, Bernardo Strozzi was one of the most influential painters active in Genoa and Venice in the seventeenth century. The <span style="font-style:italic;">Portrait of a Bishop</span> is among three likenesses of the same person by Strozzi. All three versions portray him with identical facial features, such as a moustache and goatee, also known as a Van Dyck beard, and similar expressions, including wrinkles in his forehead and slightly lifted brows. Two of the paintings, including the present work, depict the sitter wearing a doublet, or a man’s jacket, trimmed with a turned down white collar, which does not indicate the figure’s status as a clergyman. A much larger third portrait, however, represents the sitter standing near a mitre, a bishop’s headdress. During this period, artists commonly painted copies of the same portrait for prominent sitters and their families, which was a way to distribute the likeness of famous people. <br /></span> 533.1999