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http://utw10658.utweb.utexas.edu/files/original/6198114216ad5c12d2d0f8eb9a659589.tif
45d10bb6ca6a424a36e469d4022dfd9d
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/533.1999.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/533.1999.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
16323
Identifier
An unambiguous reference to the resource within a given context
533.1999
Creator
An entity primarily responsible for making the resource
Bernardo Strozzi
Date
A point or period of time associated with an event in the lifecycle of the resource
Genoa, Italy, 1581 - 1644, Venice, Italy
Date Created
Date of creation of the resource.
circa 1625
Rights Holder
A person or organization owning or managing rights over the resource.
The Suida-Manning Collection
Spatial Coverage
Spatial characteristics of the resource.
47.4 cm x 41.9 cm (18 11/16 in. x 16 1/2 in.)
Medium
The material or physical carrier of the resource.
Oil on canvas
Title
A name given to the resource
Portrait of a Bishop
Description
An account of the resource
<span>Known for his portraits, genre scenes, and religious works, Bernardo Strozzi was one of the most influential painters active in Genoa and Venice in the seventeenth century. The <span style="font-style:italic;">Portrait of a Bishop</span> is among three likenesses of the same person by Strozzi. All three versions portray him with identical facial features, such as a moustache and goatee, also known as a Van Dyck beard, and similar expressions, including wrinkles in his forehead and slightly lifted brows. Two of the paintings, including the present work, depict the sitter wearing a doublet, or a man’s jacket, trimmed with a turned down white collar, which does not indicate the figure’s status as a clergyman. A much larger third portrait, however, represents the sitter standing near a mitre, a bishop’s headdress. During this period, artists commonly painted copies of the same portrait for prominent sitters and their families, which was a way to distribute the likeness of famous people. <br /></span>
533.1999