1 10 1 http://utw10658.utweb.utexas.edu/files/original/9b396b4d7fad0b1c6ec4b6abff84db14.tif 33073853f3514650950d565cdf22682a Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/524.1999.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/524.1999.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 16229 Identifier An unambiguous reference to the resource within a given context 524.1999 Creator An entity primarily responsible for making the resource Sebastiano del Piombo Date A point or period of time associated with an event in the lifecycle of the resource Venice, Italy, circa 1485 - 1547, Rome, Italy Date Created Date of creation of the resource. circa 1516 Rights Holder A person or organization owning or managing rights over the resource. The Suida-Manning Collection Spatial Coverage Spatial characteristics of the resource. 36.4 cm x 25.9 cm (14 5/16 in. x 10 3/16 in.) Medium The material or physical carrier of the resource. Oil on wood panel Title A name given to the resource Portrait of a Man Description An account of the resource <span>Although no information on the sitter exists, the individualized facial features and contemporary dress indicate that this is a portrait. The painting was not, however, originally of this size and format. Examination of the panel shows that it was cut down from a much larger composition and later balanced with the addition of a narrow strip along the right side. It is possible that the original painting represented the sitter in three-quarter length against a dark green background, not unlike the <span style="font-style:italic;">Portrait of a Humanist</span> from around 1520 (National Gallery of Art, Washington, D.C.). <br /><br />One of the most celebrated painters of the Italian Renaissance, Sebastiano del Piombo combined the resplendent colors characteristic of Venetian painting with clear modeling of form prized by central Italian artists. Applied to portraiture, this combination resulted in a particularly moving likeness of an individual. <br /></span> 524.1999