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http://utw10658.utweb.utexas.edu/files/original/8ab5660606cb8719ceb429ae3828f240.tif
bac3e5503bca1abaf04efefb60f3a9c6
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/375.1999.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
drawing
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/375.1999.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
16154
Identifier
An unambiguous reference to the resource within a given context
375.1999
Creator
An entity primarily responsible for making the resource
Pietro Ricchi (Lucchese)
Date
A point or period of time associated with an event in the lifecycle of the resource
Lucca, Italy, 1605-1606 - 1675, Udine, Italy
Rights Holder
A person or organization owning or managing rights over the resource.
The Suida-Manning Collection
Spatial Coverage
Spatial characteristics of the resource.
29.21 cm x 43.18 cm (11 1/2 in. x 17 in.)
Medium
The material or physical carrier of the resource.
Red chalk and wash heightened with white
Title
A name given to the resource
Esther, Ahasuerus and Haman
Description
An account of the resource
In this drawing, Pietro Ricchi manipulated the red chalk with a wet brush, saturating the pigment. He began by lightly sketching the scene with black chalk, over which he applied heavy red chalk. Contours appear darker and more defined, a result of Ricchi outlining figures with a brush dipped in water. He finalized the drawing with white opaque paint, possibly containing lead carbonate, which in some areas has grayed due to oxidation with sulfur in the air.
The scene is from the book of Esther. At a banquet hosted by Esther and her husband, King Ahasuerus, Haman gestures his arms in mock innocence. Earlier in the story Haman had proposed hanging Esther’s cousin, Mordecai, and the entire Jewish nation for their disrespect and pride. Here Esther reveals her own Jewish identity, sparing their lives. With Haman’s nervous smile and upraised hands, Ricchi conveys the emotional complexity of a man who senses his own doom.
375.1999