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http://utw10658.utweb.utexas.edu/files/original/759a0c11ffbb508153a5ec4ec995aca8.tif
11df52907a01b5154f59b6ee7fa761b3
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/27.1999_post-Res.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/27.1999_post-Res.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
16454
Identifier
An unambiguous reference to the resource within a given context
27.1999
Creator
An entity primarily responsible for making the resource
Jacopo Bassano (Jacopo da Ponte)
Date
A point or period of time associated with an event in the lifecycle of the resource
Bassano del Grappa, Italy, circa 1510 - 1592, Bassano del Grappa, Italy
Date Created
Date of creation of the resource.
circa 1542 - 1545
Rights Holder
A person or organization owning or managing rights over the resource.
The Suida-Manning Collection
Spatial Coverage
Spatial characteristics of the resource.
109.22 cm x 71.76 cm (43 in. x 28 1/4 in.)
Medium
The material or physical carrier of the resource.
Oil on canvas
Title
A name given to the resource
Saint John the Baptist
Description
An account of the resource
Cut out from a larger canvas, this painting represents John the Baptist turning his gaze toward the spectator. The saint’s truncated forearm and the direction of his pose, among other elements, suggest that this fragment once formed the right part of a composition, which likely featured the Madonna and Child in the center; there would have been another saint on the left. The farmhouses with thatched roofs in the background demonstrate the painter’s well-known tendency to incorporate rustic elements in religious paintings.
The figure’s right eye, left knee, and left foot are reconstructions completed in 2009.
27.1999