1 10 1 http://utw10658.utweb.utexas.edu/files/original/759a0c11ffbb508153a5ec4ec995aca8.tif 11df52907a01b5154f59b6ee7fa761b3 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/27.1999_post-Res.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/27.1999_post-Res.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 16454 Identifier An unambiguous reference to the resource within a given context 27.1999 Creator An entity primarily responsible for making the resource Jacopo Bassano (Jacopo da Ponte) Date A point or period of time associated with an event in the lifecycle of the resource Bassano del Grappa, Italy, circa 1510 - 1592, Bassano del Grappa, Italy Date Created Date of creation of the resource. circa 1542 - 1545 Rights Holder A person or organization owning or managing rights over the resource. The Suida-Manning Collection Spatial Coverage Spatial characteristics of the resource. 109.22 cm x 71.76 cm (43 in. x 28 1/4 in.) Medium The material or physical carrier of the resource. Oil on canvas Title A name given to the resource Saint John the Baptist Description An account of the resource Cut out from a larger canvas, this painting represents John the Baptist turning his gaze toward the spectator. The saint’s truncated forearm and the direction of his pose, among other elements, suggest that this fragment once formed the right part of a composition, which likely featured the Madonna and Child in the center; there would have been another saint on the left. The farmhouses with thatched roofs in the background demonstrate the painter’s well-known tendency to incorporate rustic elements in religious paintings. The figure’s right eye, left knee, and left foot are reconstructions completed in 2009. 27.1999