1 10 1 http://utw10658.utweb.utexas.edu/files/original/9b34740614a762730c81bc07450dab2c.tif b209da7ef9bec22689d16b6cbfe5c5ea Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/24.1999.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/24.1999.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 16452 Identifier An unambiguous reference to the resource within a given context 24.1999 Creator An entity primarily responsible for making the resource Antonio Balestra Date A point or period of time associated with an event in the lifecycle of the resource Verona, Italy, 1666 - 1740, Verona, Italy Date Created Date of creation of the resource. circa 1703-1704 Rights Holder A person or organization owning or managing rights over the resource. The Suida-Manning Collection Spatial Coverage Spatial characteristics of the resource. 109.22 cm x 102.24 cm (43 in. x 40 1/4 in.) Medium The material or physical carrier of the resource. Oil on canvas Title A name given to the resource Madonna and Child with Saint Anne Appearing to Pope Paul V Description An account of the resource This painting is a capital example of Balestra’s style in its first moments of full synthesis. The diagonal armature and regular construction of its compositions are clichés of late-century Roman altarpieces, and passages like the figure of Pope Paul are so controlled that they suggest an actually Roman hand. But the complication of certain tones and the personality of other passages, like the figure of Saint Zeno, betray Venetian authorship. Featuring Zeno, the patron saint of Verona, and Paul V, the early 17th-century pope who asserted eccelesiastical authority against a defiant Venice, this picture along with its pair was surely conceived as a pendant for an orthodox setting, perhaps a cleric’s private residence, in Balestra’s native city. 24.1999