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http://utw10658.utweb.utexas.edu/files/original/d90fbaf8a62de16fb000bc27d89b3718.tif
75a746c93346c75d5c6ef908f4ab35a5
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/PG2014.119.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
sculpture
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/PG2014.119.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
20638
Identifier
An unambiguous reference to the resource within a given context
2016.1
Creator
An entity primarily responsible for making the resource
Tavares Strachan
Date
A point or period of time associated with an event in the lifecycle of the resource
Nassau, The Bahamas, 1979 -
Date Created
Date of creation of the resource.
2012
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Jeanne and Michael Klein, 2016
Spatial Coverage
Spatial characteristics of the resource.
60.9 cm x 154.9 cm (24 in. x 61 in.)
Medium
The material or physical carrier of the resource.
Blocked-out neon and glass
Title
A name given to the resource
You Belong Here (Yellow)
Description
An account of the resource
In this work, Bahamian-born artist Tavares Strachan offers a seemingly concrete and affirmative declaration that, upon closer reflection, is abstract and fluid. As Strachan recently stated, “As humans, we all struggle with how we fit in and belong. . . . Who gets to determine who belongs where? And where is here? And why does it matter?” Any change to the location or context of this work changes who “you” might be and where “here” is, bringing new nuances to the phrase.
The welcoming tone struck by this phrase insinuates that perhaps many of us haven’t always felt included. “I wanted to make a work that everyone can own—one that everyone can have. . . . Because as soon as you read it, you say, ‘I belong here,’ and you do belong.”
2016.1