1
10
1
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http://utw10658.utweb.utexas.edu/files/original/a42d773aa91dd6c386aa1b5faa5ddf35.tif
b4a0a965b968a46542c04fbbe34db9dd
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2007.22-1.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
sculpture
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2007.22-1.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
18820
Identifier
An unambiguous reference to the resource within a given context
2007.22
Creator
An entity primarily responsible for making the resource
Gyula Kosice
Date
A point or period of time associated with an event in the lifecycle of the resource
Kosice, Czechoslovakia (Slovakia), 1924 - 2016, Buenos Aires, Argentina
Date Created
Date of creation of the resource.
1950
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of the artist, 2007
Spatial Coverage
Spatial characteristics of the resource.
73 cm x 35 cm x 25 cm (28 3/4 in. x 13 3/4 in. x 9 13/16 in.)
Medium
The material or physical carrier of the resource.
Bronze
Title
A name given to the resource
Obra articulada y móvil en bronce [Articulated Brass Sculpture in Bronze]
Description
An account of the resource
<span>Gyula Kosice was a pioneer of Concrete and Kinetic art. In the late 1940s, he co-founded Madí, whose experimental approach led him to use unorthodox materials, such as metal slats, neon lights, and Plexiglas. He wanted to engage the public in playful and dynamic ways. For example, <span style="font-style:italic;">Obra articulada y móvil en bronce</span> has no predetermined shape. The flat bronze slats are riveted at joints so they can be pivoted in various directions, thereby generating any number of potential forms.</span>
2007.22