1 10 1 http://utw10658.utweb.utexas.edu/files/original/a42d773aa91dd6c386aa1b5faa5ddf35.tif b4a0a965b968a46542c04fbbe34db9dd Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2007.22-1.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource sculpture Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2007.22-1.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 18820 Identifier An unambiguous reference to the resource within a given context 2007.22 Creator An entity primarily responsible for making the resource Gyula Kosice Date A point or period of time associated with an event in the lifecycle of the resource Kosice, Czechoslovakia (Slovakia), 1924 - 2016, Buenos Aires, Argentina Date Created Date of creation of the resource. 1950 Rights Holder A person or organization owning or managing rights over the resource. Gift of the artist, 2007 Spatial Coverage Spatial characteristics of the resource. 73 cm x 35 cm x 25 cm (28 3/4 in. x 13 3/4 in. x 9 13/16 in.) Medium The material or physical carrier of the resource. Bronze Title A name given to the resource Obra articulada y móvil en bronce [Articulated Brass Sculpture in Bronze] Description An account of the resource <span>Gyula Kosice was a pioneer of Concrete and Kinetic art. In the late 1940s, he co-founded Madí, whose experimental approach led him to use unorthodox materials, such as metal slats, neon lights, and Plexiglas. He wanted to engage the public in playful and dynamic ways. For example, <span style="font-style:italic;">Obra articulada y móvil en bronce</span> has no predetermined shape. The flat bronze slats are riveted at joints so they can be pivoted in various directions, thereby generating any number of potential forms.</span> 2007.22