1 10 1 http://utw10658.utweb.utexas.edu/files/original/69d47bf94f4052fb7b18c673ad34ad53.tif c97a5fba2bd2385f5eda39ec8f5e2cec Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2005.33.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2005.33.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 17378 Identifier An unambiguous reference to the resource within a given context 2005.33 Creator An entity primarily responsible for making the resource Camillo Procaccini Date A point or period of time associated with an event in the lifecycle of the resource Bologna, Italy, 1557 - 1629, Milan, Italy Date Created Date of creation of the resource. 1595-1596 Rights Holder A person or organization owning or managing rights over the resource. Purchase through the generosity of Suzan and Julius Glickman, M.K. Hage, Jr., Derek Johns, Lawrence Lawver, Susan Thomas, Julia Wilkinson, and Jimmy and Jessica Younger, 2005 Spatial Coverage Spatial characteristics of the resource. 213 cm x 146 cm (83 7/8 in. x 57 1/2 in.) Medium The material or physical carrier of the resource. Oil on canvas Title A name given to the resource Visitation Description An account of the resource Mary glides into the scene as the sunlight before dusk enriches the palette with a golden vibrancy. With Jesus in her womb, she will spend the next three months with her cousin, Elizabeth, who is six months pregnant. At the sound of Mary’s voice, Elizabeth is filled with the Holy Spirit as the child in her womb leaps for joy. While Mary’s husband Joseph is not present in the scripture, he appears to the right of the Virgin as a narrative device to evidence Zacharias’s muteness. Because Zacharias doubted his wife’s ability to conceive, the angel Gabriel punished his lack of faith by rendering him mute until the birth of his son, John the Baptist. Here, Zacharias gestures his salutations to Joseph, whose furrowed gaze is troubled by his lack of speech. The Visitation is a popular scene from the life of the Virgin, having been depicted by Camillo Procaccini numerous times. A preparatory drawing for the present piece is kept at the Biblioteca Ambrosiana in Milan. 2005.33