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http://utw10658.utweb.utexas.edu/files/original/69d47bf94f4052fb7b18c673ad34ad53.tif
c97a5fba2bd2385f5eda39ec8f5e2cec
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2005.33.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2005.33.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
17378
Identifier
An unambiguous reference to the resource within a given context
2005.33
Creator
An entity primarily responsible for making the resource
Camillo Procaccini
Date
A point or period of time associated with an event in the lifecycle of the resource
Bologna, Italy, 1557 - 1629, Milan, Italy
Date Created
Date of creation of the resource.
1595-1596
Rights Holder
A person or organization owning or managing rights over the resource.
Purchase through the generosity of Suzan and Julius Glickman, M.K. Hage, Jr., Derek Johns, Lawrence Lawver, Susan Thomas, Julia Wilkinson, and Jimmy and Jessica Younger, 2005
Spatial Coverage
Spatial characteristics of the resource.
213 cm x 146 cm (83 7/8 in. x 57 1/2 in.)
Medium
The material or physical carrier of the resource.
Oil on canvas
Title
A name given to the resource
Visitation
Description
An account of the resource
Mary glides into the scene as the sunlight before dusk enriches the palette with a golden vibrancy. With Jesus in her womb, she will spend the next three months with her cousin, Elizabeth, who is six months pregnant. At the sound of Mary’s voice, Elizabeth is filled with the Holy Spirit as the child in her womb leaps for joy. While Mary’s husband Joseph is not present in the scripture, he appears to the right of the Virgin as a narrative device to evidence Zacharias’s muteness. Because Zacharias doubted his wife’s ability to conceive, the angel Gabriel punished his lack of faith by rendering him mute until the birth of his son, John the Baptist. Here, Zacharias gestures his salutations to Joseph, whose furrowed gaze is troubled by his lack of speech.
The Visitation is a popular scene from the life of the Virgin, having been depicted by Camillo Procaccini numerous times. A preparatory drawing for the present piece is kept at the Biblioteca Ambrosiana in Milan.
2005.33