1 10 1 http://utw10658.utweb.utexas.edu/files/original/ba7f1a883ff4800ccbdb568b284b27ff.tif 3a48eb013930873f9041540b248e8a13 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2000.29.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource painting Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/2000.29.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 14292 Identifier An unambiguous reference to the resource within a given context 2000.29 Creator An entity primarily responsible for making the resource Glenn Ligon Date A point or period of time associated with an event in the lifecycle of the resource New York, 1960 - Date Created Date of creation of the resource. 1999 Rights Holder A person or organization owning or managing rights over the resource. Michener Acquisitions Fund, 2000 Spatial Coverage Spatial characteristics of the resource. 103.5 cm x 114.8 cm (40 3/4 in. x 45 3/16 in.) Medium The material or physical carrier of the resource. Silkscreen, coal dust, and glue on paper mounted on linen Title A name given to the resource Untitled (Hands/Stranger in the Village) Description An account of the resource Glenn Ligon has long investigated the relationship between image and text, race and identity. Untitled (Hands/Stranger in the Village) features an excerpt from “Stranger in the Village,” a 1953 essay in which the late African American writer James Baldwin reflects on the year he spent living in a small town in Switzerland. This text is superimposed on a photograph taken during the Million Man March in Washington, DC, in 1995. In Baldwin, Ligon found a writer who spoke directly to his own experience of isolation and displacement as a gay black man. Yet if Baldwin functions as a point of identification for the artist, the opposite is true of the Million Man March. Organized by Louis Farrakhan and the Nation of Islam, the march, with its emphasis on patriarchy and heterosexuality, served to affirm the value of black men but was widely criticized for the invisibility of black women and queer black men. Ligon transferred the excerpt from “Stranger in the Village” to canvas using stencils and coal dust, a byproduct of crushed coal often used to sandblast buildings. In addition to serving as an artistic material, coal dust functions here as a symbol of racial prejudice. It also purposefully obscures the Baldwin text, underscoring the precarious position and visibility of black people in American life. 2000.29