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http://utw10658.utweb.utexas.edu/files/original/77b16392d397ae6709615798962ae15a.tif
3c3fc19503a98a8573b2420c34307620
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1996.263.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
print
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1996.263.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
8725
Identifier
An unambiguous reference to the resource within a given context
1996.263
Creator
An entity primarily responsible for making the resource
John Martin
Date
A point or period of time associated with an event in the lifecycle of the resource
Haydon Bridge (Northumberland), England, 1789 - 1854, Douglas (Isle of Man)
Date Created
Date of creation of the resource.
1824-1825
Rights Holder
A person or organization owning or managing rights over the resource.
Purchase through the generosity of the Still Water Foundation, 1996
Spatial Coverage
Spatial characteristics of the resource.
37.4 cm x 27.6 cm (14 3/4 in. x 10 7/8 in.)
Medium
The material or physical carrier of the resource.
Mezzotint and drypoint with rocker
Title
A name given to the resource
Satan viewing the ascent to Heaven, from John Milton, Paradise Lost, Book 3, line 501
Description
An account of the resource
From afar, Satan scowls at the sight of angels ascending the stairs of heaven, enveloped in extraordinary formations of clouds. Milton writes that they “ascend by degrees, magnificent” with a “frontispiece of diamond and gold embellished.” Heaven and its entry are “inimitable on earth by model, or by shading pencil, drawn.” Martin takes on the challenge and succeeds in rendering what Milton proclaims impossible: the sublime transition from earth to heaven.
1996.263