1
10
1
-
http://utw10658.utweb.utexas.edu/files/original/5b28a9b3c2a32394957e3f60c0f18fdb.tif
082acfd3ebc34a3db2566e559971f4b9
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1996.155.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
drawing
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1996.155.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
10919
Identifier
An unambiguous reference to the resource within a given context
1996.155.1/9-9/9
Creator
An entity primarily responsible for making the resource
Oscar Muñoz
Date
A point or period of time associated with an event in the lifecycle of the resource
Popayán, Colombia, 1951 -
Date Created
Date of creation of the resource.
1994-1995
Rights Holder
A person or organization owning or managing rights over the resource.
The 1996 Friends of the Archer M. Huntington Art Gallery Purchase
Spatial Coverage
Spatial characteristics of the resource.
35 x 35 cm (13 3/4 x 13 3/4 in.)
Medium
The material or physical carrier of the resource.
Carbon powder on paper
Title
A name given to the resource
Narcisos [Narcissi]
Description
An account of the resource
<span>The nine images in <span style="font-style:italic;">Narcisos </span>derive from a small photograph on Oscar Muñoz’s identification card. Muñoz placed identical silkscreens bearing this image into shallow Plexiglas boxes, each lined with paper collaged from various sources, and then filled the boxes with water and carbon powder. As the water evaporated and the papers dried, the carbon powder settled through the silkscreens, imprinting images uniquely transformed by chance. This process negates the immediacy of photography and removes the artist’s hand from drawing or printmaking, even as the work bridges these mediums. Created during the violent Colombian conflict of the mid-1990s, <span style="font-style:italic;">Narcisos</span> evokes the fragility and ephemerality of life and tests the limits of graphic representation. </span>
1996.155.1/9-9/9