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http://utw10658.utweb.utexas.edu/files/original/661eb38361f60969dfbbc93e15a70724.tif
98642dfe984c08a9f70c987405eda713
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1995.259.3_19.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
print
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1995.259.3_19.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
17621
Identifier
An unambiguous reference to the resource within a given context
1995.259.3/19
Creator
An entity primarily responsible for making the resource
Edgardo Antonio Vigo
Date
A point or period of time associated with an event in the lifecycle of the resource
La Plata, Argentina, 1928 - 1997, La Plata, Argentina
Date Created
Date of creation of the resource.
1968
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of the artist, 1995
Spatial Coverage
Spatial characteristics of the resource.
23.6 cm x 12.3 cm (9 5/16 in. x 4 13/16 in.)
Medium
The material or physical carrier of the resource.
Rubber stamp with letterpress on green cardstock
Title
A name given to the resource
Poema matemático [Mathematical Poem], from Múltiples Acumulados [Accumulated Multiples]
Description
An account of the resource
<span>Edgardo Antonio Vigo, a leading poet, mail artist, conceptualist, and graphic designer, was better known abroad for his participation in the international mail-art movement than at home in Argentina. Inspired by Marcel Duchamp, Vigo followed a playful logic when assembling his archive-like works. In the box <span style="font-style:italic;">Múltiples acumulados</span> he grouped cards that refer to works he produced throughout his career, including conceptual pieces, woodcuts, collages, and examples of mail art. <br /><br />Vigo included two examples of his <span style="font-style:italic;">Señalamientos</span>, an early example of Performance Art. <span style="font-style:italic;">Señalamiento</span> IX involved burying a wood block, unearthing it a year later, and legally documenting both events. The wood block was then cut into seventy pieces, one of which is featured here. <span style="font-style:italic;">Correspondencia</span> shows Vigo’s keen interest in Mail Art, which involved frequent exchanges with colleagues, as his collaboration with mail artist Julien Blaine also demonstrates. Mail Art was for Vigo a way to circumvent censorship and communicate to the world what was happening during the difficult years of the Argentine Dirty War. </span>
1995.259.3/19