http://utw10658.utweb.utexas.edu/items/browse?tags=1991.205&output=atom <![CDATA[Blanton Museum of Art Collections]]> 2024-03-28T05:50:54-05:00 Omeka http://utw10658.utweb.utexas.edu/items/show/2734 <![CDATA[Lawn and Sky]]> Stuart Davis frequently thought of his compositions in relation to jazz, which he considered the musical counterpart to abstract art. This is evident in Lawn and Sky, in which Davis superimposed several views of his summer retreat in Gloucester, Massachusetts, within a single composition. The work hints at musicality in colorful symbols scattered throughout the picture: a pink squiggle resembles a bass clef, egg-like spheres appear like a two-note chord, and the red infinity symbol, or gruppetto, indicates a sequence of notes that boomerang up and down before returning to their principal note. Artist Robert Henri, who mentored Davis and who is also represented in the Blanton’s collection, encouraged his students to pursue spontaneity in their work. As in jazz, Davis’s decisions regarding the composition of Lawn and Sky are both harmonious and spontaneous, generating a visual rhythm.]]> 2017-06-16T17:01:21-05:00

Dublin Core

Creator

Stuart Davis

Title

Lawn and Sky

Date Created

1931

Spatial Coverage

47.3 cm x 57.5 cm (18 5/8 in. x 22 5/8 in.)

Identifier

1991.205

Medium

Oil on canvas

Description

Stuart Davis frequently thought of his compositions in relation to jazz, which he considered the musical counterpart to abstract art. This is evident in Lawn and Sky, in which Davis superimposed several views of his summer retreat in Gloucester, Massachusetts, within a single composition. The work hints at musicality in colorful symbols scattered throughout the picture: a pink squiggle resembles a bass clef, egg-like spheres appear like a two-note chord, and the red infinity symbol, or gruppetto, indicates a sequence of notes that boomerang up and down before returning to their principal note. Artist Robert Henri, who mentored Davis and who is also represented in the Blanton’s collection, encouraged his students to pursue spontaneity in their work. As in jazz, Davis’s decisions regarding the composition of Lawn and Sky are both harmonious and spontaneous, generating a visual rhythm.

Rights Holder

Gift of Mari and James A. Michener, 1991

Date

Philadelphia, Pennsylvania, 1892 - 1964, New York, New York

Type

painting

Has Version

http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1991.205.zif

Requires

14547
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