1 10 1 http://utw10658.utweb.utexas.edu/files/original/7cce3e801f35c532f71d5077ff3f5443.tif 149d200f81c7c9eb727d83ba078cb29b Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1987.16.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource drawing Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1987.16.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 8438 Identifier An unambiguous reference to the resource within a given context 1987.16 Creator An entity primarily responsible for making the resource Giovanni Battista Gaulli (Baciccio) Date A point or period of time associated with an event in the lifecycle of the resource Genoa, Italy, 1639 - 1709, Rome, Italy Date Created Date of creation of the resource. 1670s Rights Holder A person or organization owning or managing rights over the resource. Purchase through the generosity of the 1987 Friends of the Archer M. Huntington Art Gallery Spatial Coverage Spatial characteristics of the resource. 28.4 cm x 24.6 cm (11 3/16 in. x 9 11/16 in.) Medium The material or physical carrier of the resource. Red chalk with traces of white chalk on beige antique laid paper Title A name given to the resource Study of the Head of a Young Woman and Hands Description An account of the resource In this group of studies Baciccio’s skillful use of red chalk shows its range. Lines in the young woman’s hair curve and curl like clouds or rapids, light and shadow play out in cross-hatched lines in the lower hand, and color imbues the studies with subtle warmth. This variety points to how the drawing was made and for what purpose. At first glance, the head and lower hand look like they are part of the same figure, with another hand awkwardly reaching for her mouth. A closer look at scale, placement, and cropping reveals that this is probably the left half of a larger sheet of studies from a sketchbook that Baciccio worked from all sides. 1987.16