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http://utw10658.utweb.utexas.edu/files/original/ccc98fb8ad8f26fe38f9037f5e093bcd.tif
fa8e174421ba79bcd17b03069d25c3f8
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
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http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1986.70.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
print
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1986.70.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
4861
Identifier
An unambiguous reference to the resource within a given context
1986.70
Creator
An entity primarily responsible for making the resource
José Clemente Orozco
Date
A point or period of time associated with an event in the lifecycle of the resource
Ciudad Guzmán (Jalisco), 1883 - 1949, Mexico City
Date Created
Date of creation of the resource.
1929
Rights Holder
A person or organization owning or managing rights over the resource.
Archer M. Huntington Museum Fund, 1986
Spatial Coverage
Spatial characteristics of the resource.
44.3 cm x 57.4 cm (17 7/16 in. x 22 5/8 in.)
Medium
The material or physical carrier of the resource.
Lithograph
Title
A name given to the resource
Hombres y tres mujeres [Men and Three Women], also known as Indios armados y mujeres, Revolution
Description
An account of the resource
<span>José Clemente Orozco’s firsthand experience of the Mexican Revolution and dissatisfaction with its outcome are evident in the melancholy tone of his revolutionary scenes. Figures in his works often seem isolated. In <span style="font-style:italic;">Hombres y tres mujeres</span>, his subjects can be read as both in retreat, or moving towards, the conflict. Orozco leaves the context undefined, concentrating instead on the strength and endurance of the women as they aid male soldiers amidst a shallow landscape. During the revolution, these soldaderas played a variety of roles, fighting alongside their male relatives, carrying supplies, and tending to the wounded.</span>
1986.70