1 10 1 http://utw10658.utweb.utexas.edu/files/original/ccc98fb8ad8f26fe38f9037f5e093bcd.tif fa8e174421ba79bcd17b03069d25c3f8 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1986.70.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource print Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1986.70.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 4861 Identifier An unambiguous reference to the resource within a given context 1986.70 Creator An entity primarily responsible for making the resource José Clemente Orozco Date A point or period of time associated with an event in the lifecycle of the resource Ciudad Guzmán (Jalisco), 1883 - 1949, Mexico City Date Created Date of creation of the resource. 1929 Rights Holder A person or organization owning or managing rights over the resource. Archer M. Huntington Museum Fund, 1986 Spatial Coverage Spatial characteristics of the resource. 44.3 cm x 57.4 cm (17 7/16 in. x 22 5/8 in.) Medium The material or physical carrier of the resource. Lithograph Title A name given to the resource Hombres y tres mujeres [Men and Three Women], also known as Indios armados y mujeres, Revolution Description An account of the resource <span>José Clemente Orozco’s firsthand experience of the Mexican Revolution and dissatisfaction with its outcome are evident in the melancholy tone of his revolutionary scenes. Figures in his works often seem isolated. In <span style="font-style:italic;">Hombres y tres mujeres</span>, his subjects can be read as both in retreat, or moving towards, the conflict. Orozco leaves the context undefined, concentrating instead on the strength and endurance of the women as they aid male soldiers amidst a shallow landscape. During the revolution, these soldaderas played a variety of roles, fighting alongside their male relatives, carrying supplies, and tending to the wounded.</span> 1986.70