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http://utw10658.utweb.utexas.edu/files/original/9cdf49a74294ce3f3758a396b237ebff.tif
de35366cf008168d83b2c6b07a24caac
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
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http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1985.74_recto.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
painting
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1985.74_recto.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
14823
Identifier
An unambiguous reference to the resource within a given context
1985.74a
Creator
An entity primarily responsible for making the resource
Marguerite Thompson Zorach
Date
A point or period of time associated with an event in the lifecycle of the resource
Santa Rosa, California, 1887 - 1968, Robinhood, Maine
Date Created
Date of creation of the resource.
1909
Rights Holder
A person or organization owning or managing rights over the resource.
Michener Acquisitions Fund, 1985
Spatial Coverage
Spatial characteristics of the resource.
74.9 cm x 62.4 cm (29 1/2 in. x 24 9/16 in.)
Medium
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Oil on canvas
Title
A name given to the resource
Rites of Spring - Olympic Offerings (Recto)
Description
An account of the resource
<span>Marguerite Thompson Zorach was among the first painters to introduce European modernism to American audiences, most memorably at the 1913 Armory Show in New York City. Inspired by the “absolute unconventionality and freedom” of European avant-garde practices the artist discovered while living in Paris, <span style="font-style:italic;">Rites of Spring—Olympic Offerings</span> is a rare example of Zorach’s early experimentation with expressionistic applications of color. Here nude figures depicted in cool blues and caustic pinks proffer the season’s harvest to an unseen divine force, providing insight into the artist’s own perception of the “inner spirit of things.”<br /><br />Marguerite Thompson Zorach’s husband and fellow modernist, William Zorach, later used the back of this canvas for his own painting. According to his autobiography, the couple survived years of struggle in New York “by never spending a cent on anything that was not essential . . . we made our own canvases . . . used the stretchers over and over, rolling up the finished pictures. When desperate we painted on both sides of the canvas.” William, who enjoyed more commercial success than Marguerite, presumably used this canvas in a moment of desperation.</span>
1985.74a