1 10 1 http://utw10658.utweb.utexas.edu/files/original/63ffe694dc0aa6ff03d1961761fd1cba.tif eec1d30a541db7615d7fe8775d9b3091 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1982.869.2-4.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource print Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1982.869.2-4.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 5233 Identifier An unambiguous reference to the resource within a given context 1982.869.2/4 Creator An entity primarily responsible for making the resource José Chávez Morado Date A point or period of time associated with an event in the lifecycle of the resource 1909 - 2002 Date Created Date of creation of the resource. 1936 Rights Holder A person or organization owning or managing rights over the resource. University purchase, 1966; Transfer from the Harry Ransom Center, 1982 Spatial Coverage Spatial characteristics of the resource. 23.5 cm x 18.7 cm (9 1/4 in. x 7 3/8 in.) Medium The material or physical carrier of the resource. Linocut Title A name given to the resource La conspiración [Conspiracy], from the portfolio Vida nocturna de la ciudad de México [Mexico City's Nightlife] Description An account of the resource This work is part of a portfolio by José Chávez Morado dedicated to Mexico City’s nightlife. Chávez Morado reflects his pessimistic view of the growing metropolis in a series of unsettling vignettes set in dark streets. Outside a theatre, musicians perform by the light of the passing cars. Police are about to storm a peaceful meeting. A seductive woman waits by the door of a one-star hotel. A man leaves the scene of a hideous crime. Under the cover of night, we discover the dark side of modernity. Signs of modern life are everywhere, yet the harsh contrast of black and white and the seedy subjects recall the gritty aesthetic of film noir rather than the utopian optimism of much of the works created in Mexico in the previous decade. 1982.869.2/4