1 10 1 http://utw10658.utweb.utexas.edu/files/original/3a677a8b5dee0f8d7200aead1f20cb5b.tif c676e952198195c273013908809a6ad8 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1982.1249.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource sculpture Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1982.1249.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 15035 Identifier An unambiguous reference to the resource within a given context 1982.1249 Creator An entity primarily responsible for making the resource Pablo Curatella Manes Date A point or period of time associated with an event in the lifecycle of the resource La Plata, Argentina, 1891 - 1962, Buenos Aires Date Created Date of creation of the resource. 1921 - 1924 Rights Holder A person or organization owning or managing rights over the resource. Archer M. Huntington Museum Fund, 1982 Spatial Coverage Spatial characteristics of the resource. 34.3 cm x 22.5 cm x 18.4 cm (13 1/2 in. x 8 7/8 in. x 7 1/4 in.) Medium The material or physical carrier of the resource. Bronze with black patina Title A name given to the resource El guitarrista [The Guitarist] Description An account of the resource <span>Like many Argentine artists of his generation, Pablo Curatella Manes lived in Europe and immersed himself in the avant-garde. His admiration for both Renaissance art and Cubist sculpture led him to find his own artistic voice. In <span style="font-style:italic;">The Guitarist</span>, one of his first Cubist works, Curatella Manes transformed musician and instrument into a series of clearly defined yet simplified geometric solids. The artist sought a modern classicism, balancing figuration and abstraction, solidity and movement. The apparent heaviness of the bronze makes the figure stable, while the distribution of volumes follows a syncopated rhythm that reinforces the musical theme.</span> 1982.1249