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http://utw10658.utweb.utexas.edu/files/original/3a677a8b5dee0f8d7200aead1f20cb5b.tif
c676e952198195c273013908809a6ad8
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1982.1249.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
sculpture
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1982.1249.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
15035
Identifier
An unambiguous reference to the resource within a given context
1982.1249
Creator
An entity primarily responsible for making the resource
Pablo Curatella Manes
Date
A point or period of time associated with an event in the lifecycle of the resource
La Plata, Argentina, 1891 - 1962, Buenos Aires
Date Created
Date of creation of the resource.
1921 - 1924
Rights Holder
A person or organization owning or managing rights over the resource.
Archer M. Huntington Museum Fund, 1982
Spatial Coverage
Spatial characteristics of the resource.
34.3 cm x 22.5 cm x 18.4 cm (13 1/2 in. x 8 7/8 in. x 7 1/4 in.)
Medium
The material or physical carrier of the resource.
Bronze with black patina
Title
A name given to the resource
El guitarrista [The Guitarist]
Description
An account of the resource
<span>Like many Argentine artists of his generation, Pablo Curatella Manes lived in Europe and immersed himself in the avant-garde. His admiration for both Renaissance art and Cubist sculpture led him to find his own artistic voice. In <span style="font-style:italic;">The Guitarist</span>, one of his first Cubist works, Curatella Manes transformed musician and instrument into a series of clearly defined yet simplified geometric solids. The artist sought a modern classicism, balancing figuration and abstraction, solidity and movement. The apparent heaviness of the bronze makes the figure stable, while the distribution of volumes follows a syncopated rhythm that reinforces the musical theme.</span>
1982.1249