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10
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http://utw10658.utweb.utexas.edu/files/original/223e3bf89b412a6f98d3808f69fb4f44.tif
5066c57ac79c34bdd1994e15f748ebb0
Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Local URL
The URL of the local directory containing all assets of the website
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1980.109.zif
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Type
The nature or genre of the resource
drawing
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1980.109.zif
Requires
A related resource that is required by the described resource to support its function, delivery, or coherence.
5030
Identifier
An unambiguous reference to the resource within a given context
1980.109
Creator
An entity primarily responsible for making the resource
María Izquierdo
Date
A point or period of time associated with an event in the lifecycle of the resource
San Juan de los Lagos, Mexico, 1902 - 1955, Mexico City
Date Created
Date of creation of the resource.
1932
Rights Holder
A person or organization owning or managing rights over the resource.
Gift of Thomas Cranfill, 1980
Spatial Coverage
Spatial characteristics of the resource.
27.9 cm x 21.5 cm (11 in. x 8 7/16 in.)
Medium
The material or physical carrier of the resource.
Watercolor and gouache on paper
Title
A name given to the resource
Amazona blanca [White Horsewoman], also known as Caballista del circo [Circus Bareback Rider]
Description
An account of the resource
<span>The figure depicted in <span style="font-style:italic;">Amazona blanca</span> gracefully keeps her balance despite being posed precariously on a moving pony. She is a picture of confidence and courage. María Izquierdo admired the circus since her childhood, producing more than fifty paintings celebrating female circus performers. They functioned as a kind of alter ego for her. Images of strong and independent women such as this one challenged the many representations of male workers and heroes pervading Mexican painting in the decades that followed the Mexican Revolution.<br /><br /></span>
1980.109