1 10 1 http://utw10658.utweb.utexas.edu/files/original/223e3bf89b412a6f98d3808f69fb4f44.tif 5066c57ac79c34bdd1994e15f748ebb0 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Local URL The URL of the local directory containing all assets of the website http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1980.109.zif Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Type The nature or genre of the resource drawing Has Version A related resource that is a version, edition, or adaptation of the described resource. http://utw10658.utweb.utexas.edu/plugins/Dropbox/files/object_images/ART New/1980.109.zif Requires A related resource that is required by the described resource to support its function, delivery, or coherence. 5030 Identifier An unambiguous reference to the resource within a given context 1980.109 Creator An entity primarily responsible for making the resource María Izquierdo Date A point or period of time associated with an event in the lifecycle of the resource San Juan de los Lagos, Mexico, 1902 - 1955, Mexico City Date Created Date of creation of the resource. 1932 Rights Holder A person or organization owning or managing rights over the resource. Gift of Thomas Cranfill, 1980 Spatial Coverage Spatial characteristics of the resource. 27.9 cm x 21.5 cm (11 in. x 8 7/16 in.) Medium The material or physical carrier of the resource. Watercolor and gouache on paper Title A name given to the resource Amazona blanca [White Horsewoman], also known as Caballista del circo [Circus Bareback Rider] Description An account of the resource <span>The figure depicted in <span style="font-style:italic;">Amazona blanca</span> gracefully keeps her balance despite being posed precariously on a moving pony. She is a picture of confidence and courage. María Izquierdo admired the circus since her childhood, producing more than fifty paintings celebrating female circus performers. They functioned as a kind of alter ego for her. Images of strong and independent women such as this one challenged the many representations of male workers and heroes pervading Mexican painting in the decades that followed the Mexican Revolution.<br /><br /></span> 1980.109